查看完整版本: Marissa Nadler - Little Hells(2009)欧式民谣女声

Marissa Nadler - Little Hells(2009)欧式民谣女声

[img]http://img7.imageshack.us/img7/8922/xxb0640mediumyk2.jpg[/img]

Marissa Nadler -  Little Hells(2009)
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歌唱艺人:Marissa Nadler - 专辑名称:(2009) Little Hells
音乐风格indie-folk |压缩格式 MP3 | 压缩比特率192Kbps |文件大小 60MB
唱片公司：Kemado Records
发行日期：2009年3月3日 [/color]

[img]http://img1.ylmf.com/attachment/Day_071101/101_77973_3934703f5c5bd27.gif[/img]

[b][u]简介[/b][/u]


◈24岁的歌手/词曲创作者/画家，于文艺复兴与19世纪末20世纪初之间的交错空间
◈善咏的她将原音吉它，班卓琴，管风琴及其它一些乐器沉浸入迷雾般的回授效果里
◈让今民谣界最鬼魅的女声在天空扬起精致的欧式民谣音调，开出一朵朵诱人的花


New York Times 纽约时报 将 Marissa Nadler 的音乐称之为“Ethereal Reverberations”（空灵余韵），可见实力非同一般。新专辑《Little Hells》，Marissa Nadler 依旧将 Folk 以及 Dream Pop 完美得结合，伴随着 Marissa 绝妙的声音，大气、美妙、梦幻，犹如摇篮曲一般让人如痴如醉！同时，我们不难在 Marissa 的部分歌曲中找到或多或少的歌特情节倾向，并不是浓郁的黑暗，反而是一点点凄凉，一种美丽的的寂寞。

这里不得不提到的就是Marissa在配器上的运用...
一些曲目还加入了诸如管风琴，竖琴和手风琴等传统乐器也十分的出彩...歌词也都是以叙事诗歌的方式展开的...

Marissa Nadler的声音，阴柔且有灵性，有如夜空精灵吟唱一般，安静且娓娓动听。
吉他，口风琴，曼陀林等大量乐器的加入和编排，使得歌曲听起来更加饱满,
特别是Marissa个人风格与早期迷幻民谣的结合相当成功，

算是Marissa风格火候掌握得最淳熟的唱片，让她步入一个全新的音乐层次。

在所有这一切之前，Nadler是个纯净的人，她的音乐始终散发着一种逝去的怀旧光华。


可能因为这些作品通常描述的都是 Marissa 自我的理想世界，所以显得如此的特别，让我陷如沉思，我不得不承认，这样的专辑总会让我难以抗拒。《Little Hells》并不像传统民谣那样，给人以清新之感，然而 Marissa 却借助了传统民谣的木吉他作为主线，混合着大量的梦幻元素。在 Marissa 的世界中，有一种漂浮不定的情怀，一种沮丧失落的浪漫，有一种迷雾阴霾的忧郁，让人跟随音乐沉沦... [介绍来自网络]


                             To attain memorability, artists often strive for a consistent tonal resonance to align with the occasionally overlooked aspect of cohesion. Whether one hears a punk group achieve success through energetically volatile three-chord progressions or listens to an electronic artist successfully emulate certain emotions or experiences through a fusion of samples and original melodies, there is an undeniable responsibility placed upon the atmosphere found on a given album. “Soundscape” has been a word thrown around to describe these audible atmospherics, specifically in electronic music. But despite what anyone chooses to call it, there is no method in which to teach an aspiring musician how to master audible atmospherics. This is especially the case as recent years have shown, with an ample array of technological innovations in music allowing for more artistic flexibility (for better or for worse) in an area of songwriting that is one of the most accurate factors in determining natural ability. Along with the increase in production-based technology, the expectations of listeners are rising as the degrees of innovation within “soundscapes” appear to becoming just as relevant as the melodic content itself. Though many exist who still prefer the lo-fi side of things, there is a broad audience that heavily values the art of atmospheric dependability. And for this, very few artists reign supreme for a reason that relates to both natural ability and technological comprehension.
[img]http://img1.ylmf.com/attachment/Day_071101/101_77973_3934703f5c5bd27.gif[/img]

[b][u]专辑曲目[/b][/u]
Tracklist:[color=olive]


01 Heart Paper Lover
02 Rosary
03 Mary Comes Alive
04 Little Hells
05 Ghosts and Lovers
06 Brittle Crushed and Torn
07 The Whole Is Wide
08 River of Dirt
09 Loner
10 Mistress
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[url=http://ting.mbox.sogou.com/music.so?query=Thinking%20Of%20You&encoding=utf-8][size=4][color=blue]Thinking Of You[/color][/size][/url]
[mp3]http://www.stereogum.com/mp3/Marissa%20Nadler%20-%20Lonesome%20Suzie.mp3[/mp3]
[size=4][color=red]下载地址[/color][/size][url=http://www.indymusicdigital.com/downloads/promo/audio/marissa_nadler-thinking_of_you.mp3][size=4][color=red]http://www.indymusicdigital.com/downloads/promo/audio/marissa_nadler-thinking_of_you.mp3[/color][/size][/url]

[[i] 本帖最后由 极乐童子 于 2009-2-13 23:52 编辑 [/i]]